An important milestone in the evolution of any new format is the introduction
of a product by a company other than the developer. It signifies that someone
else, besides the originating company, has confidence in the new technology.
The more partners, the better the chances for success, but the first is always
the most important. The original Sony MiniDisc products have now been joined
by two portable MD players from Sharp that define what MD is all about—small
size. Specifically, the MD-D10 reviewed here is only about one-half to two-thirds
the size of a typical portable CD player (though at 11.6 ounces it weighs only
slightly less than many CD portables).
The MD-D10’s disc-loading system is unlike the powered loading slot used
in the Sony MD portables or the direct disc placement used in CD portables,
and in fact is akin to a typical cassette loading mechanism. The MD-D10’s
upper case forms a clamshell that rises slightly when you press a mechanical
release button. Then you can grasp the shell and raise it about a half-inch
so that you can slip in an MD before closing it again. When you release the
shell to retrieve an MD, the shell opens slightly, you raise it further by
grasping it, and the disc is nudged forward by an internal spring.
The top shell contains seven controls. The play/play-mode selector button
initiates playback and engages disc repeat and random track play back. The
off button stops playback and turns the unit off; if left in the stop mode
for more than 5 minutes, the player turns itself off automatically. Forward
and backward skip/search buttons move the laser pickup from track to track
when tapped and engage audible fast search when held down.
The X-Bass/NC button changes the frequency response of the audio out put
signal. The X-Bass setting effectively provides a slight bass boost (actually
by slightly cutting middle frequencies), whereas the NC (Noise Control) setting
reduces audible sound leakage from headphones, which may annoy other people,
by dramatically cutting high frequencies (a 9-dB reduction at 7 kHz).
The display button is used to view disc and track titles as well as total
disc time and elapsed track time. A slide switch marked Hold is used to disable
the other buttons to prevent accidental changes. Unlike many CD portables
with similar features, the MD-D10 does not flash HOLD on its display when
you try to use locked buttons— that would be a nice enhancement. Button-pushing
is confirmed by a beep tone in the audio output; fortunately, you can defeat
the tone by holding down the X-Bass/NC button.
The player’s dot-matrix LCD can show as many as ten alphanumeric characters
on one line. It flashes a POWER ON message when the play but ton is first
pushed, then the track title scrolls across the display, followed by the
elapsed track time. The track number is displayed simultaneously below the
scrolling messages. This display sequence is repeated each time a new track
is selected. When the stop but ton is pressed, the player displays the disc
title, followed by the total number of tracks and total disc time. When the
stop button is pressed again, a POWER OFF message comes up briefly. Other
LCD indicators include symbols and labels for play, repeat play, random play,
Noise Control, X-Bass, and low battery, as well as diagnostic messages for
troubleshooting. The display contrast can be varied to suit lighting conditions.
There is a volume-control knob on the right side of the player and a mini-
jack output on the back, which can be used both for headphone listening and
for connecting the player to an external stereo system. The left side of
the player holds a DC-power input jack. Underneath is a door to a compartment
holding a rechargeable nickel- cadmium battery.
= = = =
DIMENSIONS: 3 INCHES WIDE, 1 INCHES HIGH, 4 INCHES DEEP
WEIGHT: 11.6 OUNCES
PRICE: $599
MANUFACTURER: SHARP, DEPT. SR. SHARP PLAZA, MAHWAH, NJ 07430-2135
= = = =
A 6-volt AC adaptor/battery charger is supplied; although there is no charging-status
display on the MD-D10 itself, a small red LED on the wall-plug module lights
while the player’s battery is charging and goes out when charging is completed.
Charging takes about 5 hours, and the battery can be recharged approximately
500 times. Using a fully charged battery, maxi mum playback time is about
100 minutes for prerecorded MD’s and about 90 minutes for user-recorded MD’s.
(That’s one characteristic I definitely think needs improvement: Listening
to one 74-minute user-recorded disc pretty much kills your battery.) Also
included with the MD-D10 is a pair of inexpensive but serviceable headphones,
a plastic carrying pouch, and an adaptor cable for connecting the MD-D10’s
mini-jack output to phono jack inputs.
The MD-D10’s dramatically diminutive size (much smaller than earlier MD
players) is made possible by a trio of new Sharp-developed chips that consolidate
a lot of the necessary circuitry and reduce power consumption. Like other
MD players, the MD-D10 has an anti-shock buffer memory—in this case, a 1-megabit
chip that holds 3.1 seconds of audio data—to help prevent vibration from
disrupting playback. Following ATRAC decoding, the digital data stream is
converted to analog audio by a 1-bit D/A converter.
Lab tests revealed no apparent weaknesses in audio performance. Frequency
response, signal-to-noise ratio (S/N), dynamic range, distortion, and low-level
linearity were all good to excellent. The only audio products we’ve encountered
that rival this performance in such a small package are portable CD-3 (3-inch
CD) players, which, like the discs themselves, are rare in this country.
= = = =MEASUREMENTS = = = =
All measurements were made with the player powered by a fully charged NiCd
battery.
Maximum output level ... 1.1 volts
Frequency response: +0.11, -0.19dB, 20Hz to 20kHz
Channel separation:
1kHz 79.7dB
20kHz 75.9 dB
Interchannel phase shift (at 20kHz).... 2.10
Signal-to-noise ratio (A-wtd.) 90.2 dB
Dynamic range (A-wtd.) 100.2dB
Harmonic distortion: (THD+N at 1 kHz) at 0dB 0.051% at —20dB 0.15%
Linearity error (at —90 dB) —0.3 dB
Maximum playing time (single battery charge): prerecorded 100 minutes; user-recorded
90 minutes
= = = = ==
But with any system based on perceptual coding—ATRAC in the case of MD—traditional
measurements tell only part of the story; the sound quality of a perceptual
coder cannot be estimated directly from such tests. The best way to evaluate
sound quality is to listen carefully. I auditioned the MD-D10 both with headphones
and over a high-end sound system. Using the supplied headphones, I was quite
satisfied with the sound quality, which to my ears was essentially indistinguishable
from that of portable CD players with their headphones. In other words, I
suspect the limiting factors in each case were the headphones and the internal
amplifiers.
When I played the MD-D10 in a high-quality home audio system, how ever,
in which fidelity is much higher and direct A/B comparisons between CD and
MD are possible, I could hear slight differences between the two. It’s hard
to describe, and certainly not immediately obvious, but in the MD playback
the imaging was altered, with shifts of high-frequency sources, and high-frequency
timbre was altered as well, with a blurring and hardening of the sound, particularly
in transient material. The MD-D10’s sound was not bad—not bad at all, in
fact—but for now an MD simply ain’t no CD.
Perhaps more important, any portable product must be evaluated on its portability.
I therefore conducted my own highly scientific vibration test, in which I
put on shorts and run around the block carrying the player. No CD or MD player
that I have evaluated in the past has ever successfully completed this jog
test. But after consider able exertion I decided to give the MD D10 a passing
grade. Although it muted momentarily a few times, it was decidedly capable
of shrugging off shock and vibration. Given that this player uses only a
1-megabit buffer (about 3 seconds) and that a 4-megabit buffer (about 12
seconds) could easily be designed into future models, I am confident that
MD will eventually achieve full joggable status.
While playing the MD-D10, I made certain that it handled both 60- and 74-
minute user-recorded discs as well as prerecorded discs (no problem). I was
also happy to note its speedy track access—not as fast as the fastest CD
players I’ve seen, but very fast. On the other hand, the LCD message scrolling
was too slow (even small children, just learning to read, would become impatient).
It was so slow that I rarely waited around to read it, and that effectively
defeats its purpose.
Buying an MD player ultimately comes down to two questions: portability
and repertory. The MD-D10 measures 3 x 4 x 1 inches, weighs 11.6 ounces,
and plays for 100 minutes. A portable CD player—the Technics SL-XPS900, for
example— might measure 5 x 5 x 11/16 inches, weigh 12.2 ounces, and play
for 2½ hours (10 hours with supplementary battery pack). The MD wins on size,
the CD wins on playing time, and they tie on weight (depending on how many
batteries you’re toting). The difference, of course, is the MD’s superior
shock resistance (although some portable CD players now incorporate similar
shock-proofing systems). Repertory is another tough call. Many thousands
of CD titles are now avail able, whereas MD is exactly where CD was in the
beginning—about 300 titles. Of course, you can record your own MD’s, but
the blank discs cost as much as prerecorded CD’s (or more), and you’ll have
to invest in an MD recorder. Bottom line: If you intend to use your player
in a very active environment (such as jogging) and are con tent with the
selection of prerecorded MD’s, then the MD-D10 meets your needs. Otherwise,
you can’t ignore CD. And, despite inferior sound, you can’t ignore analog
cassette either— very cheap and a vast repertory.
Whatever your decision, it is evident that the MD format is gaining a foothold
in the market. With recorders from Sony and players such as the Sharp MD-D10,
the MD choices, applications, and price range are expanding. In particular,
if you want to be amazed by big-time sound from a small-time portable package,
the MD-D10 is ready to run with you.
From: Stereo Review (June 1993) /
KEN C. POHLMANN -- HAMMER LABORATORIES |